Saturday, March 7, 2026

A.S.A.D #2: Mutha Mazhai


https://open.spotify.com/track/1JicoVYTaArOqbttWM7DkI?si=Pv9rXh4VSrys4quJxLsFbw

IMO (probably not popular), Dhee owns this song! When I consider the lyrics, context, and the style of singing, I can see why Dhee is the perfect choice, and I wonder if that was on purpose. I have heard this song in Hindi and Telugu too, sung by Chinmayi. While it is beautiful, it lacks the subtle nuances that Dhee brings to this song. Also, I am not sure if the Hindi and Telugu lyrics carry the same meaning.

To set the context: the song is from the POV of the “other woman”, i.e., the mistress. Considering how young she is, being in a relationship with a much older man, and her rival being an older woman, you would expect her to be very self-assured and arrogant. But here she is vulnerable, insecure, and longing for a deep and meaningful relationship. (Of course, the insecurity could also be because the man in the midst is Kamal! Who, even at 70+, can make a woman weak in her knees! Note the line “ini unthan kaiyil swargam”.)

So I feel the song turns the typical 'seductive mistress' trope on its head. There are many lines in the song that bring out how she feels about the relationship and her need for a secure place with him.

The most striking one for me is “Innum varum enthan kadhai”
– As in: “I am not a passing affair, but here to stay. There is more to me and to our relationship.”

“Karu mai kanda kannokki
Poi solli nindraayaa”
– Not sure which specific word in Tamil is used here, but I think “mai konda kan” refers to her eyes full of genuine love.

“Naan kadhali, kadhalan nee
Veru ellaam verum vesham enbaen”
– This is very ironic considering she is in an affair, whereas he has been married to his wife for a much longer time. But she considers her tie with him as genuine and his marriage a farce!

“Innum oru morai enthan kathai sollavaa”
– She wants to keep reminding him of their past so that he feels obliged to stay with her. In this line, Dhee sounds coy and cheeky.

“Kaalam yaavum neethaanae
Intha kaalan vanthaal velvaenae”
– I wonder if this is a reference to Sathyavan–Savitri?! The irony of a wife fighting for her husband’s life versus a mistress fighting for her lover is not lost!

There are many more lines, but these are the ones most striking to me.

I asked ChatGPT to give me its opinion on this article and that adhigaprasangi not only gave me its opinion but also hooked me into a long drawn chat with more insights on the song. While most were what i have already covered above, this was interesting:

In the 4th line what I thought is 'dammaro dum dum' is actually 'sangam maruthankam' (don't blame urself if u thought so too....this is just Rahman effect) This refers to the marutham poetry of Sangam literature that deals with infidelity! 

Coming back to my review:

Dhee’s voice perfectly emotes the vulnerability and naivety of a young woman hopelessly in love with an older married man. To me, Chinmayi sounds very mature and even challenging. Somehow that doesn't fit the scenario here.
The music gives you the same feel as “Or Unmai Sol” (Aazhutha Ezhuthu) or “Athini Chithini” (Thenali — barring the comic elements). There is a sensuality and deep emotional pull in the music that cannot be explained. I also find the tune and music somewhat similar to “Veera Raja Veera” (Ponniyin Selvan) even though mood of the two songs are very different. 

How can I close this without thanking ARR? Yet another reason to be grateful to him for giving us this gem of a song. After more than 30 years of composing, he still never ceases to amaze me 😍

Thursday, March 5, 2026

A Song A Day (A.S.A.D iykyk) #1: Mei Nigara from 24


https://open.spotify.com/track/2qN6L6hAiJqXGaIOUu4mLf?si=XmuNNLunQrykTE7yU2SvmA

This is a very fast-paced romantic song – the kind I love!

I initially didn’t think much of it, but some lyrics and certain musical elements made me go back and listen again and again. Eventually I fell in love with it.

While romantic songs are typically melodious and slow-paced, there are some that are very fast-paced, with a sense of urgency and excitement, like Anbil Avan (AYM) and Kala Kalavena (Rhythm).

Like many ARR songs, every time I heard this song I discovered something new. While credit for lyrics goes to Madhan Karky, ARR's music brings it alive. 

A few interesting aspects in this song:
- it's interesting how the lover is compared to characters (Queen/King, Beauty, Demon, Slave?!). And towards the end the song talks about liberating these characters. 
- The construct of the song feels haphazard even though it does follow a standard flow.
- Every few lines the expression of love differs — feeling overwhelmed by her beauty and voice; something sweet, dreamy, nostalgic (guitar tune, sticky candy, flying rabbit). Unfortunately I don't know the meaning word for word.
- There is a tiny cello tune that comes just once (at 01:58).
- He says “whatever happens to me, keep smiling”, while she says “whatever happens, keep creating”. And this kinda annoyed me! 

This is one of those Sid Sriram songs where his style of singing is used to perfection and then some! While there is always a touch of longing and sadness in his voice, here ARR also gets him to express a sense of being overwhelmed.
The whole song feels so raw! It's as if a group was trying out different tunes and lyrics and inadvertently launched it! But still so beautiful.

Oh, fun fact: I thought this was Harris' and was very surprised and impressed. Later I found out it's ARR's (of course it's ARR!).